Lunch Break Stretch
Fiction / Publication
There are three parts, fragmented into three different elements.
Two books: the report, and the appendix. They should be read only in this order.
A third element, the appendicitis, an envelope containing loose sheets of paper.
The sheets are missing pages from the report book. You can take them from the envelope and insert them at their proper location in the book.
Two books: the report, and the appendix. They should be read only in this order.
A third element, the appendicitis, an envelope containing loose sheets of paper.
The sheets are missing pages from the report book. You can take them from the envelope and insert them at their proper location in the book.
1
If the report is a collected account of the events, the appendix is its confetti bag of associations. You open it and suddenly there are all these little papers everywhere, contaminating everything. The report is also a subtle detective story, sensitive, fragile in format, on the verge of finding absolutely nothing except the realization that ?
If the report is a collected account of the events, the appendix is its confetti bag of associations. You open it and suddenly there are all these little papers everywhere, contaminating everything. The report is also a subtle detective story, sensitive, fragile in format, on the verge of finding absolutely nothing except the realization that ?
2
The appendicitis is my attempt to create visual poetry based on parts of the text. Some of them are 3D extrusions of the text. Some of them are not text at all. Some of them I can’t remember.
The appendicitis is my attempt to create visual poetry based on parts of the text. Some of them are 3D extrusions of the text. Some of them are not text at all. Some of them I can’t remember.
3
The appendix is composed of four chapters. These were generated as echoes of the report. The first one, Light Digestion, was mostly based on the idea that it can be difficult to define where an infrastructure begins and ends. It deals with an in-between state of communication where time can’t be measured. The second, Earwax Entrances, is about being lost in a respiratory system that affects audition and perception; a polyphonic labyrinth, where reading involves hitting walls and going backward and forward, while still following the same line. The third, The Map Is Your Tongue, focuses on being guided by taste and smell and moving with the help of your gastrointestinal tract. The fourth, Sourdough Starter, is about impermanence and a dance that is both seen and not seen.
The appendix is composed of four chapters. These were generated as echoes of the report. The first one, Light Digestion, was mostly based on the idea that it can be difficult to define where an infrastructure begins and ends. It deals with an in-between state of communication where time can’t be measured. The second, Earwax Entrances, is about being lost in a respiratory system that affects audition and perception; a polyphonic labyrinth, where reading involves hitting walls and going backward and forward, while still following the same line. The third, The Map Is Your Tongue, focuses on being guided by taste and smell and moving with the help of your gastrointestinal tract. The fourth, Sourdough Starter, is about impermanence and a dance that is both seen and not seen.